Johnson's New Chart of National Emblems

/vexillology/atlas/1864

About

Johnson's New Chart of National Emblems is a hand-coloured double-page chart of the flag world as issued by a New York atlas publisher during the American Civil War. It presents 118 flag drawings: 104 panels in nine ruled rows with two small panels flanking the title, twelve pilot signals in two boxed tables, and two long pennants winding along the foot of the sheet around the publisher's imprint.

The chart is the American counterpart — and near-exact contemporary — of the French plate Pavillons des principales puissances in this collection: two publishers on opposite sides of the Atlantic cataloguing the same flag world within the same year or two. The most pointed difference is editorial. Where the Paris plate pairs the American belligerents without comment, Johnson's caption for the Confederate flag reads Confederate States of America (so called!) — the publisher's politics printed directly into the caption.

This page catalogues the chart as a historical source. Printed captions are transcribed as printed; a modern identification follows each transcription in italics. The printed captions do not by themselves establish that every depicted design was official, current, or colour-accurate at the time of publication — several demonstrably were not (see Method and Next Stage).

Source Catalogue

Complete double-page chart titled Johnson's New Chart of National Emblems, showing rows of flags on staffs, two boxed tables of pilot signals, four large corner standards, and two pennants along the foot
Complete chart, reduced for display. Select the image to open the full 600 dpi source scan (about 245 MB).
Printed titleJohnson's New Chart of National Emblems, lettered at the head of the sheet between the two title panels.
Printed copyright“Entered according to Act of Congress, in the Year 1863 by A. J. Johnson, in the Clerks Office of the District Court of the United States, for the Southern District of New York.” — along the foot of the sheet.
Collection datec. 1864 (assigned). The chart was entered for copyright in 1863 and issued in atlas editions of the following years (see below).
Associated workJohnson's atlas series (Johnson's New Illustrated Family Atlas); the sheet is a double-page plate carrying the page numerals 4 and 5 in its upper corners.
PublisherJohnson & Ward, New York — “Published by Johnson & Ward.” on an engraved ribbon at the foot.
Creator of plateNot stated; A. J. Johnson holds the copyright.
LanguageEnglish
FormatEngraved double-page chart, hand-coloured, within an ornamental knotwork border set with star medallions. Flags are drawn flying from staffs in ruled rows, captions beneath each flag.
Physical extentOne double-page plate; approximately 63 × 46 cm, inferred from the 600 dpi scan. Dimensions of the physical sheet not yet measured directly.
ProvenanceNot yet recorded
Contents118 flag drawings: two small panels flanking the title (Hawaiian Islands, Weimar); nine rows of flag panels (102 drawings, including the four large corner standards of the United States, the United Kingdom, Russia, and France); two boxed tables of six pilot signals each, headed “Signals for Pilots.”; and two long pennants (Portuguese, Spanish) at the foot.
Digital surrogateComplete sheet: JPEG, 14882 × 10963 pixels at 600 dpi, with a reduced 1024 × 754 JPEG for display. Extracted panels: PNG (118), cropped from the 600 dpi scan.
Catalogue statusPreliminary. Edition identification, provenance, and individual flag analysis remain subject to revision.

Editorial convention: Printed captions are retained because they are evidence of the source's terminology — Hayti, Dominica, Equador, Chili, New Grenada, Konigsberg, Lubeck, Birmah, Frankfort on the Main, and Russian American Compy. are kept as printed. Modern identification and analysis are supplied separately, without silently replacing the printed labels.

Internal Dating Evidence

The chart dates itself unusually well. The printed copyright line names the year 1863, and the imprint names Johnson & Ward, the partnership that published Johnson's atlases in the early-to-mid 1860s. The internal evidence agrees precisely:

The canton of the United States standard carries 35 stars, drawn in five loose rows of seven. The 35-star flag became official on 4 July 1863, after the admission of West Virginia, and was superseded by the 36-star flag in July 1865. The Confederate States panel shows the second national pattern — the white “Stainless Banner” with the battle-flag canton — adopted 1 May 1863. Both point to a chart drawn in the second half of 1863 at the earliest.

Other panels are consistent with the same moment: the Ionian Islands appear as a British protectorate (ceded to Greece in 1864); New Grenada keeps the name that was giving way to the United States of Colombia in 1863; the Russian American Compy. still governed Alaska (sold 1867); Hanover and Frankfort on the Main were sovereign until 1866; and the French Standard is the imperial standard of Napoleon III. The collection-assigned date of c. 1864 — a chart copyrighted in 1863 and issued in the atlas editions that followed — sits squarely inside this bracket.

As on every chart in this collection, currency is uneven: several panels reproduce designs long obsolete in 1863 (see Method and Next Stage). These are evidence of copying from older models, not of an earlier publication date.

Index of Flag Panels

The chart contains 118 flag drawings, indexed here in the order of the sheet: the two panels flanking the title, then the nine rows read left to right (large corner standards in their positions), then the two boxed tables of pilot signals, then the two pennants at the foot. Where the source prints a second caption line, it is given beneath the printed name. Select any image to open the full-resolution extraction from the 600 dpi scan.

Head of the Sheet

Two small panels flank the title lettering.

First Row — the United States and Great Britain

The two large corner panels — the United States standard with its 35-star canton and the British royal standard — bracket a row of American and British flags.

Second Row

Mexico and the Caribbean, then a run of smaller European states.

Third Row

South America, then the Italian question in four panels: the new Kingdom of Italy printed alongside Tuscany and Sardinia, states it had already absorbed.

Fourth Row

From here to the sixth row the panels run between the two boxed tables of pilot signals. South America concludes; the German and Italian trading cities begin.

Fifth Row

Spain, Prussia, and Portugal, each in three grades.

Sixth Row

The Barbary coast and the Ottoman world, the remaining free cities — and the Confederate panel with the publisher's editorial parenthesis.

Seventh Row

Denmark and Austria in three grades each, then the Baltic and Asia.

Eighth Row

Russia and Scandinavia, then Egypt, Persia, and China.

Ninth Row

The two lower corner standards — the Russian imperial standard and the French imperial standard of Napoleon III — bracket the final row.

Signals for Pilots

Two boxed tables, each headed Signals for Pilots., flank the middle rows of the chart inside red borders. Each holds six flags in two columns.

The Pennants

Two long pennants stream along the foot of the sheet, winding around the engraved ribbon that carries the imprint Published by Johnson & Ward. The drawings and the ribbon are one continuous piece of engraving, so each extraction ends where the imprint begins.

Method and Next Stage

This preliminary index records what is present before interpreting it. Later study pages can compare each depiction with documented historical flags and discuss discrepancies in colour, proportion, geometry, or status.

The chart is a study in what an 1863 compiler knew and what he copied. The war furniture is exactly current — the 35-star canton, the months-old Confederate Stainless Banner — and so are the Russian-American Company, the Ionian Islands, and the French imperial standard. Yet the Italian unification of 1859–1861 is only half digested: the new Kingdom of Italy is printed among the very states it had absorbed — Sardinia, Tuscany, Sicily, and Naples — while the East India Company (wound up 1858) and Central America (dissolved by 1841) survive from older models. Deeper still lie the pure chart-tradition inventions: Morocco's crossed “scissors,” the Persian lions, the Cochin China menagerie, and the Malta cross, each copied chart-to-chart for over a century. With this sheet the collection's Morocco chain now runs unbroken through five sources: 1720, 1769, 1837, this chart, and 1899.

The chart also invites direct comparison with the French plate Pavillons des principales puissances, its near-exact contemporary: the same flag world seen from New York and from Paris. The comparison cuts both ways. Both print the Confederate flag, one neutrally, one with an exclamation point — but where the French plate gives Hawaii an obsolete seven-stripe flag under an obsolete protectorate caption, Johnson's Hawaiian Islands panel prints the current eight-stripe flag in the documented order, correctly and without political qualifier. The panel joins the depictions collected on the Hawaii (Sandwich Islands) polity page.

The chart's scope is also telling: “national emblems” means flags seen at sea, not sovereignty. Rostock, Riga, and Konigsberg are port towns of Mecklenburg, Russia, and Prussia, printed on equal footing with kingdoms and empires — merchant-flag practice outranking political status. The same maritime eye shows in the pilot signals, where the Russian entry is simply the naval jack again, printed twice in two roles. And Persia appears under three entirely different flags — the three lions, the striped field of crescents and suns, and the Shah's triple-tailed banner — a variety typical of how widely publications of the period disagreed about Persia (the c. 1899 sheet offers yet another form).

Two of the chart's designs are now followed across the collection on their own flag pages: the East India Company ensign (present here five years after Company rule ended, and varying in detail from chart to chart since 1720) and the quartered Spanish standard, a composition repeated by several charts yet scarcely documented outside them. Further candidates for individual study: the Confederate caption as an artefact of wartime publishing; the Poland panel printed during the January Uprising; the New Zealand panel preserving the 1834 United Tribes flag; and the Bolivia band order.

Bibliographic References

© Encyclopaediae. Open educational reference project.